A hostile magical practice—the Conus magus charm--excerpt from fantasy novel La Maga

Leonard could now clearly hear his father griping to someone that the “folk-woman” (“Reverend Lady” Professor La Maga, that is) was in for it and that Leonard should be told to join his father in Dr. Bruno’s office on the other side of the pavilion. Dr. Giordano (Danny) Bruno was the dean of the graduate school and chief administrator of the secondary school.

Then, as if beaming with pride, Professor La Maga announced: “Mister Leonard de Lux, Junior. Can you explain to the class the origin of the term the ‘Conus magus maneuver’?”

As if awestruck, Leonard uttered, “Yes.”  He had spent the summer studying its legend and swimming in fantasies about how he had discovered its lost key.

 “Go ahead, then, Leonard. Please tell us,” the professor coached.

“In common parlance, the term ‘Conus magus maneuver’ means that a sorcerer or mage has pacified a foe, but the meaning, mostly among  sorcerers, is that the sorcerer has paralyzed his opponent—that the opponent is too mystified to act,” Leonard began.

“It’s an insult,” the professor announced to the class, “mostly uttered by ‘sore winners.’

Continue,” Professor La Maga requested.

“It’s a figure of speech,” Leonard said, “about a hostile magical practice—the Conus magus charm—which involves striking and then absorbing energy from an opponent.”

“And when is this hostile practice typically used?” questioned Professor La Maga.

“All the time, but no one ever admits it,” Leonard responded.

 “Indeed, it’s rampant even among Commons in the Outer Plane,” the professor confirmed. “Go on, Mr. Junior de Lux. We’re waiting to hear about the legend.”

“The term ‘Conus magus charm’ refers to the legendary charm of the same name, which is much more intense than the charm used today,” Leonard said. “According to legend, the original charm was discovered by a sorcerer named Mare Maré who lived around 250 BCE. He was a Melanesian sorcerer who was very familiar with venomous cone snails of the South Pacific, particularly the snail that millennia later would be christened ‘Conus magus’ by Outer Plane marine biologists,” Leonard explained.

 “He was a sea-charmer,” Professor La Maga interjected, adding that sea-charming was how Mare Maré “managed to cross great expanses of ocean long before the invention of luxury cruise liners. The name Mare Maré means ‘Nightmare of the Dark Sea.’”

The professor magically materialized the tapered shell of a cone snail. Grasping it between her thumb and forefinger, she held it out so all could see how harmless it looked: white with brown and tawny bands and dapples. Red, needle-like claws jutted out of the shell’s opening.

 “But this is only the tip of the proverbial iceberg, isn’t it, Mister de Lux, Junior,” she said and lobbed the deadly creature into her audience. Students ducked and screeched, but the snail vanished in midair. 

Excerpt from Chapter 1 The Conus Magus Maneuver from La Maga A Story about Sorcerers and Magi. Available at amazon.com

Enlightenment and the Nature of the Self

Although I’ve spent the past several years delving into folk magic, Neopaganism, and the Western Mystery Tradition, my primary spiritual orientation is Advaita Vedanta. Advaita Vedanta is a form of Hinduism that I was introduced to nearly 40 years ago. It is a system that dates back to about the 7^th century and is primarily founded in the Upanishads. The Upanishads are the philosophical portion of a set texts called the Vedas, the earliest written record of Hindu thought and praxis.

When I first began writing La Maga A Story aboutSorcerers and Magi in 2004, I was absorbed in Vedanta and related Eastern philosophies. And so concepts distilled from my then spiritual practice are represented in the work and intermingle with fanciful as well as some authentic motifs about magic.

The spiritual journey in Advaita Vedanta is, in part, about intimately realizing the connection between one’s own true nature and the Divine and also realizing that “the world is in the mind, like space in a jar”—as stated in a text called the Yoga-Vasishtha—which I worked into the very last chapter of La Maga. Advaita Vedantist philosophy is concerned with the idea of projection—the problem of not experiencing reality as it is but as dreamlike mental projections—colored by bias, fears, ignorance and automated habits and conditioning. For this reason, my characters sometimes contemplate the nature of reality and illusion. They also ask the question: What is it to wake up from the idea of yourself? To paraphrase thoughts I attributed to the antihero of the series, the sorcerer Leo de Lux:

Becoming truly real, conscious, and capable of free will begins by realizing the whimsical and fabricated nature of one’s own being—the idea of self—and then detaching from the automaton (the robot) of its personality, habits, and conditioning. Then the person who is the life beneath the mask of selfhood opens his eyes and watches himself reveling through the motions of daily life like a dreamer reveling in lucidity and exercising free will in it.

In the last published book in the series, The Savior at the End of Time (available in Kindle format), I have the main character of that story--a whacky Christlike figure who is a chaos-magic-practicing sorcerer named Aurelio Zosimo--deliver a sermon that basically crystalizes what I’ve come away with from my exposure to Eastern spirituality and spirituality in general, including magical spirituality:

Excerpt from Chapter 20 of The Savior at the End of Time 

About 42 days after his confrontation with Lord Consul Tau-Bridge, Zosi began to be spotted in flamboyantly full ceremonial regalia within the Mercury Gardens. He would wear a tunic of thick raw silk and tightly fitted, black leggings that were made of tanned leather and full of straps and whips of lacings. Over this, he would wear high boots that matched a mottled, purple-black tanned leather cope embossed with images of ourobori, moondragons, and griffins. His hair was meticulously plaited and decorated with pins and ribbons. His head was topped with a black double-cone hat that was rakishly crimped and folded over so that the tips of the horn-like cones, embellished with opalescent jingle bells, menacingly flounced and jangled in front of his face. He wielded a rather large and tall staff, the core of which was made of slender poles of cedar and fennel stalks. It was wrapped in embossed leather that matched his ensemble. Like a sinister maypole, the staff’s leather sheath was itself wrapped in a filigreed design of cords and leather straps on which gadgets and flotsam were affixed and that dangled, flail- and cat-o-nine-tails-like, from the staff’s finial, which was a gold spearhead in the shape of a fish with an acorn protruding from its mouth.

Like that, he would stroll about the Gardens and then stop here or there to deliver a sermon that attracted larger and larger crowds as word of the spectacle grew. He would begin the rant in a gentle voice with the words, “See the illumination at the center of being,” and materialize some small sparkly object that would fascinate and mesmerize onlookers.

“The body and all phenomena arise causally and provisionally within absolute being,” he would continue, yet still in a very meek and quiet voice. It would be trembling and barely audible despite his ferocious appearance. “There is no time and no dimension to space, both being mere adaptive projections of mind. The personality is an interdependently arising construction of circumstances and experiences, driven by reactivity bred by conditioning devoid of awareness or true will. What is it to wake up from the idea of yourself? Heaven, hell, God, the Adversary, pleasure, pain, and all the pairs of opposites are projections of your own consciousness. You project ideas out of yourself. Treating them as independent entities, you go into them, fear them, and allow them to have power over you although they are your own creations. No one is there to deliver you; you must deliver yourself. Glimpse self-effacement and the root of your existence. Reality is silent, blissful, self-composed Being. This is the Redemptive Principle, the Christos, the Ground, and the Life beneath the mechanism.”

About La Maga A Story about Sorcerers and Magi

"What is it like to wake up from the idea of yourself?"  That is a question discovered by characters in the fantasy fiction novel La Maga A Story about Sorcerers and Magi. I got the idea that I should illustrate the novel. I like to say that is it sort of like Harry Potter for grown-ups but is especially for grownups who like classic children's literature and also have an authentic interest in magic and mysticism. 

The main character is a magical woman named Sofia La Maga.  After many  years in political exile Sofia returns to her homeland and becomes a professor at her alma mater The H. Trismegistus mystical arts academy.







Even though the governor of her homeland doesn’t much like her, Sofia befriends and mentors his juvenile delinquent son, Leonard de Lux, Junior.  The only thing Leonard is good at—or think he’s good at—is playing the Phaeton Maneuver—a  very dangerous, outlawed game that magical teenage boys secretly  play in the  where all these magical people live.

When Leonard’s father finds out that Sofia has not only  gotten Leonard on the straight and narrow but has given him the experience of enlightenment, he is not  sure whether he should be happy about it. After all, Sofia is an anti-establishment political dissident and a person from a much lower caste of society than he is. But he is impressed with her, and like young Leonard, he falls in love with her.  Like Leonard, he undergoes a profound spiritual transformation that will, in turn, profoundly shapes destiny.

 –Dionesia Rapposelli

Kindle edition

Paperback Night Horse Press

                                                     

The Olympic Spirits of the Arbatel Part 5 Phaleg

Phaleg (Mars)
[The third type of wisdom] is in corporeal creatures. –from Aphorism 9


Phaleg is the Olympic Spirit associated with Mars and the Roman god of the same name. The Arbatel calls Phaleg the Prince of Peace and the Intelligence ruling martial affairs.

The name Phaleg may be derived from Peleg, the name of a minor character in the Old Testament who is said to be an ancestor of Abraham. Peleg means split or divide. This suggests that Phaleg energy is related to the sphere of duality, including distinctions, conflicts, and reconciliations between self and other. The sigil itself may represent a horned animal in the way of a hunter’s arrow.

Phaleg is said to rule 35 Provinces. This translates into the equation 7 x 5, making its value 5. Its geometric form is the pentahedron.

It is represented in a diagram described in the Arbatel called the Seal of Secrets of the world as lines that divide the Seal into quadrants

That Phaleg is called the Prince of Peace may be a reference to the Pythagorean Tetractys, a triangle made of 10 points, in which the second tier of the triangle, composed of 2 points, represents strife and the third tier, composed of 3 points, the harmony or balance between opposing forces. Peace in the sphere of the martial is in diplomacy and so, rather than violent conquest or rash action, Phaleg may be more associated with focus, diplomacy, and strategy in achieving one’s goals in face of the conflicting goals of others. In this sense, the Roman deity Minerva the goddess of wisdom in Warcraft , strategy, and diplomacy also may be a suitable godform for this Olympic Spirit.

On the Olympic Spirits Part Four Och

Och is the Olympic Spirit associated with the Sun and Roman gods associated with the sun such as Sol, Hesperus, and Apollo, The name Och may refer to the. Greek word ochros, meaning pale yellow. Or perhaps the Latin root for the number 8, oct, suggesting pervasiveness in filling the 8 directions of space.

Och is said to rule 28 Provinces. This translates into the equation 7 x 4, making its value 4. Its geometric form is the tetrahedron. Using simple gematria, if we take the number 28 and turn it into the equation 2 + 8 we get the number 10, which  reduces to 1, alluding to the Tetraktys and ideas about the Empedoclean dimensionless point.

 It is represented in a diagram described in the Arbatel called the Seal of Secrets of the world as larger circle in the Seal of Secrets within which the mansions of the moon are plotted

Och is said to have 36,536 legions; that is, 365 and 36. The number 365 refers to the solar year. The number 36, according to Plutarch (circa 46-120), represents the Tetractys and also with the World because it represents Totality. He arrives at this rationale by pythagorically adding together the first four odd and even numbers: 1+3+5+7+2+4+6+8=36.

Och is said to “to give 600 years.” 600 years suggests the hexagram –or double tetrahedron--representing the celestial sphere. Thus, achieving Och consciousness makes one master of the celestial sphere.

Scrying the Olympic Spirits Part 3 Hagith The Intelligence of Venus

Hagith is a variation of a Hebrew name that means “festive.” In the Bible, Haggith is the fourth wife of King David. Her son is named Adonijah, which means “beautiful,” but the story of Adonijah is rather tragic: he tries to usurp the throne, which David gave his other son Solomon. Solomon forgives Adonijah but then has him killed when Adonijah has Haggith ask Solomon’s mother, Bathsheba, if he could borrow one of King David’s concubines.

This story may be a veiled allusion to the rebellion and fall of Lucifer. The alternative Latin name for Venus in ancient Rome was Lucifer, a bright morning star that preceded the break of dawn. Why Lucifer was banished from the night sky and stood alone in the dawn was the subject of many ancient myths having to do with fall from grace. [slide of passage from Isaiah]


Hagith is said to rule 21 Provinces. This translates into the equation 7 x 3, making Hagith’s value 3. Its geometric form is the 2 dimensional plane, representing the terrestrial sphere and perhaps the plane of manifest existence between primordial chaos and transcendental consciousness. It is represented in a diagram described in the Arbatel called the Seal of Secrets of the world as an inner central circle that is divided into quadrants. The quarters represent the cardinal points of space, the elements and cyclical time.

Hagith is said to rule 4000 legions. This translates as 4 x 1000. Four here may refer to the 4 elemental quarters, which extend out into the multiverse (1000) and are each said to be ruled by an angelic prince and 6 nobles.” This is suggested in the statement regarding Hagith in the Arbatel that says “. . . over every thousand, he ordains Kings for their appointed season.”

The “rebellious spirits reserved for the Last Judgment” that the Arbatel speaks of may refer to us—human beings subject to the rigors of mortal life on earth secondary to the fall of Adam.

Aurelio Zosimo--The Crazy Professor

The Crazy Professor was a strange, spaced-out sorcerer who looked like he belonged in a rock band. He taught philosophy at the Bythos Academy. He was heavily involved in charitable work for Deeples and also “Deevees,” the utter dregs of magical society, lower than folk practitioners. Leonard’s father thought The Crazy Professor was a terrorist. It did not surprise him in the least that, within weeks of the H. Trismegistus parent-alumni reception, Professor La Maga was seen cavorting with The Crazy Professor. His name was Aurelio Zosimo. 

From La Maga A Story About Sorcerers and Magi

Aurelio Zosimo was a 44-year-old, wry, impish, and obscure-witted academic of early Greek philosophy and medieval Hermeticism. He had been a child prodigy. The prodigious-ness set the stage for him to become, at the mere age of 32 years, the Marsillio Ficino Scholar Emeritus at the Bythos Academy of Magical Sciences.

Zosimo had a plaque on his office door. On it was inscribed a motto adopted by Commons enthusiasts of his brand of sorcery. The plaque read Nothing is true; everything is permitted.

Popular lore had it that the 11^th century ascetic Islamic fundamentalist Hassan ibn Sabbah—a mystic and mastermind of an assassin squad—had said it right before he bit the dust at age 90 years, but the saying was actually penned and launched as legend by the 20^th century Commons beat poet and career drug-addict William S. Burroughs, in whom a romanticist fascination with Sabbah developed. Outer Plane Discordians and Chaos mages had cheekily spun lore about Sabbah and his alleged pronouncement into cult fiction, conspiracy, legend, and disinformation.

Those of small mind and little vision regarded the saying as an anarchist war cry. To them, the saying was tinged with hedonism of a kind more crass than the generally misconstrued motto expectorated by the notorious Victorian-era sorcerer-mage Aleister Crowley: “Do what thou wilt shall be the whole of the Law.” However, in modern parlance among those who adopted the motto Nothing is true; everything is permitted, it was simply an affirmation that all belief was provisional, not absolute. Because belief shaped perception, which modified behavior which modified circumstance, perhaps circumstance could be modified if belief that modified perception and behavior was deliberately fabricated rather than imposed as unquestioned convention. 

From The Savior at the End of Time